There are problems to be solved. And futures to be formed.
The creative life isn’t for the faint of heart. It’s for those who believe in themselves enough to trust their instincts, leave their comfort zones, and push their talents to the limit. If you’re up for it, keep going.
Transfer students can earn a grant up to $7500 for bachelor’s degrees, $3500 for associate’s degrees.
We can help you navigate the steps to transferring to our creative community, where design, culinary, media arts, and fashion students prepare for their careers. You may be eligible to transfer your credits to The Art Institutes—and we offer important grants and scholarship opportunities for which you may qualify. Click below to read more about our transfer grant.
Any student who meets all admission requirements, and who earned at least 12 credits between the dates of 8/1/2015 and 8/31/2016 at another accredited institution that has ceased enrolling students, is eligible to receive this institutional grant. Other rules apply.
March 25, 2017
March 25, 2017
March 29, 2017
March 29, 2017
April 22, 2017
April 22, 2017
9:30 AM to 12:00 AM
Education Management Corporation announces execution of a definitive agreement for the sale to the Dream Center Foundation.
Dream Center Foundation is a not-for-profit foundation.
Simone Middleton, an alumna of The Art Institute of Philadelphia, was recently honored with both an Emmy and an Edward R. Murrow Award for her work in broadcasting.
Students working toward a Bachelor of Science or an Associate of Science in Digital Filmmaking & Video Production at The Art Institute of Philadelphia recently took a “field trip” to a retail store.
Meet Our Alumni
Simone MiddletonDigital Filmmaking & Video Production , 2011
"The Art Institute of Philadelphia gave me hands-on experience that impressed employers [when I was] coming out of school."Read More
Simone Middleton is a digital librarian for Fox News Channel. She’s responsible for properly selecting and annotating large volumes of media into a digital asset management system for the network’s Washington, D.C. Bureau. She also catalogues media for archiving, manages metadata, and researches and logs video assets. Prior to joining Fox News Channel, she worked at ABC 7/WJLA in Arlington, Virginia and for Light-Thief Productions in Philadelphia, Pennsylvania.
She was honored to recently receive both an Emmy and an Edward R. Murrow Award for her work in broadcasting as a video coordinator. “During the four years from 2012-2016, I paid my dues. I was placed through the ringer, with hard hours, tough situations, and slow growth, but I kept in mind what my goals were. I knew that I was going to be successful—and when it was my time to shine, all of the pieces of the puzzle came together.”
She says that her most challenging work situations involve breaking news. “No breaking news situation is the same and some are harder than others. Regardless, you have to think fast and realize that the main duty is to get information on air quickly and accurately.” Because she maintains a large amount of information, she must also be certain that there are no errors made. “You learn this by trial and error and by finding a work flow that works well for you.”
To excel in her career, Simone has taken risks and learned from her mistakes. She recommends that current students keep their heads up when things get rough—and keep pushing forward. “Learn how to be great at your job duties—and the duties of [other people on your team]. This helps you to be well-rounded and multi-talented.” She also advocates networking and sending thank you cards to those who have helped along the way. “Getting your foot in the door is hard. Staying in the industry, sometimes, is harder.” She says that when times are tough, she asks herself, “how badly do you want this?” And she encourages people new to the industry to surround themselves with like-minded people.
Simone adds that she has a true passion for her work. “If you truly care about what you create, others around you will respect you. I think of myself as a brand. Television and video production is a very small industry. Everyone knows one another and has worked at all of the same companies.” She adds that by carrying herself as a brand, she identifies herself as someone willing to go the extra mile. Simone adds that this helps people to know both her and her dedication to being a dependable team member.
Now that she’s proven herself within the industry, Simone is challenged to keep growing. She wants to show that she’s worthy of sitting at the same table as “industry veterans.” To help up-and-comers break into the industry, she enjoys taking interns under her wing to help them to pursue their career goals. “We all look up to someone in our lives. I can give them a guiding light and give back to those who need and want it the most.”
See http://ge.artinstitutes.edu/programoffering/543 for program duration, tuition, fees and other costs, median debt, salary data, alumni success, and other important info.Read More...
Ted SheppardFashion Marketing & Management , 1994
[It helped me] to reach all of my dreams and also helped make them come true.Read More
Ted Sheppard’s résumé reads like a who’s who in the fashion world. He’s worked at Lord & Taylor, Kenneth Cole, Lacoste USA, Saks 5th Avenue, and now DKNY Donna Karan, where he creates stunning, eye-catching visual merchandising at stores across the country. Ted’s passion for the arts began in childhood and continued throughout his education. While studying Fashion Marketing at The Art Institute of Philadelphia, Ted frequently traveled to attend fashion shows for Karl Lagerfeld and Design Industries Foundation Fighting AIDS (DIFFA).
Immediately following graduation, Ted freelanced at Strawbridge & Clothier, then moved on to Lord & Taylor, working in window design. His next career step took him to Kenneth Cole, where he worked on shows for New York’s Fashion Week before moving into a more media-centered position—enabling him to coordinate production crews for television programs “Sex and the City” and “What Not to Wear.” Ted next moved to Lacoste USA, overseeing visual merchandising at boutiques across five states. His final step before achieving his position at Donna Karan was working at Saks 5th Avenue in NYC, coordinating special events and personal appearances at the store for fashion legends including Michael Kors and Giorgio Armani. In addition to his fashion career, Ted collaborates on art projects with Jerry Torre, a star in the film “Grey Gardens.”
Ted, who in 1994 earned an Associate in Specialized Technology degree in Fashion Marketing from The Art Institute of Philadelphia, says that his education provided a solid foundation for the real world. “[It helped me] to reach all of my dreams and also helped make them come true.”
See ge.artinstitutes.edu/programoffering/549 for program duration, tuition, fees and other costs, median debt, salary data, alumni success, and other important info.Read More...
Pre-College Sessions for High School Students
A hands-on head start.
High school juniors and seniors who have completed and submitted an application to an Art Institutes school can begin building a foundation of success before first term begins—at no charge—in our innovative College Bound program.* To find out more, visit AiCollegeBound.com.
* Students who successfully complete a course will receive a certificate of completion. The College Bound courses are non-credit bearing and do not transfer into our academic program offerings or the offerings of any other institution. However as part of the course you will have the opportunity to develop a portfolio that you are able to request proficiency credit. Proficiency credit is awarded based on the proficiency credit policy defined in an institution’s academic catalog. The cost of the College Bound courses varies between $325 and $350. This cost is waived for any student that has an application and completed essay on file with the school. Check with the school you are interested in attending for exceptions and details, as not all programs are offered at all locations. Individual location participation is subject to change.