Fashion
Owner of Strager Style, Shaye Strager, joins Ai LIVE as she shares her story of how she got started in the industry and her advice on starting out.
Whether your dream is designing clothes or developing business plans, the fashion industry needs your creativity and passion. Find out where your talents fit and explore our Fashion Majors today.
You can build skills in traditional and computer-generated design, pattern-making, and more as you have the opportunity to learn to move your vision and style—and future—forward.
Channel your creativity and business savvy into preparing for a career where you can develop, analyze, and implement sales strategies based on consumer insights and trends.
"Don't just dream about your fantastic ideas, get started—even if it's in the wrong direction."
Read MoreWas there a defining moment when you knew you were destined to become a creative professional?
It’s hard to isolate a single moment. From an early age I’ve been fascinated by the possibility of transforming what’s in front of you...the what if. I have to admit, all the cutting, gluing and painting things around the house got me in trouble a lot.
How do you weave your professional background into the classroom experience?
Throughout my career I’ve worked in quite different settings. As a computer pattern design developer for a knitwear firm in Florence, Italy; running workshops in coloring and dying with indigenous communities in rural Colombia; and designing costumes and scenery for a great variety of plays and audiences. That wide range of experiences gave me the ability to recognize the value of the task at hand, and taught me that every individual has something to offer. My goal in the classroom is to recognize that diversity of aesthetics and skills, and develop them according to the individual.
What class assignment exemplifies your approach to teaching and mentoring?
A creative career is a process of discovering possibilities. It’s the what if that drives us to explore different paths. I’m a firm believer in research. I urge students to look beyond the obvious. The web is a panacea of information, and we greatly benefit from its richness. But we should look beyond the computer. The world is full of patterns, colors and motifs. I want students to take risks, step out of their comfort zones, explore, discover, act on their ideas, fail, recover, and keep going.
How does collaboration contribute to students’ success—particularly when students from various programs work together?
Theater is the most collaborative art form. The work of playwrights, directors, actors, designers, and crew come together to provide the theatrical experience. Everyone contributes their craft to create what the audience ultimately receives. Here in school we have such a big pool of diverse talent talent under one roof. I’ve brought together visual artists, musicians and photographers, and I’m looking forward to much more collaboration.
What’s the most important thing you impart to students to help them succeed in class and the real world?
Be flexible, be open-minded, rely on good research, but most importantly, take action. Don’t just dream about your fantastic ideas, get started—even if it’s in the wrong direction. Mistakes can take you to great discoveries.
"I've learned that it's extremely important for students to know they have someone to help guide their success."
Read MoreWas there a defining moment when you knew you were destined to become a creative professional?
Owning and operating an apparel store opened my eyes to the importance of being creative in the retail industry. And it inspired me to share what I’d learned with Fashion students in the classroom.
How do you weave your professional background into the classroom experience?
I share everything from what to expect when attending tradeshows to how to be a great retail manager to the importance of knowing your customers, and choosing the right product mix for stores. And because I know how important it is to network with key people to get a good start in the retail industry, I arrange field trips so students can speak with industry professionals—and invite those professionals into the classroom.
What class assignment exemplifies your approach to teaching and mentoring?
For my Sales & Event Promotion class I assign a visual merchandising (window display) project. Students work as a team to come up with a theme, budget, props, background, visual elements, and ways to communicate their message. Using this approach with a window display assignment allows the students to work as a team, be creative individually and collectively, understand budgeting, and learn how to communicate a message visually.
How do you inspire students to push themselves beyond their perceived limits?
As an example, the window assignments with visual merchandising force students to push themselves creatively in ways that they haven’t before. After completing the assignment, they’re extremely proud to have work they can add to their portfolio
How does collaboration contribute to students’ success—particularly when students from various programs work together?
It lets them network and learn about each other and their various projects. They get a deeper understanding of an area that may not be their strong point, learn to take responsibility for themselves and each other, and build positive relationships.
What’s the most important thing you impart to students to help them succeed in class and the real world?
I think the most valuable thing is my time and attention. I work with students one-on- one to make sure they succeed in my class and the real world. I’ve learned that it’s extremely important for students to know they have someone to help guide their success.
What’s the most critical advice you would offer any student embarking on a creative career?
Always do your best, be professional and punctual, and work as if someone’s watching you at all times.
Anything else?
I thoroughly enjoy teaching students about the fashion industry, using my expertise to equip them for success.
"Setting goals is critical, in and out of the classroom."
Read MoreWas there a defining moment when you knew you were destined to become a creative professional?
My junior year in high school, I was in the food service program. The drama teacher encouraged me to try out for the school play, One Flew Over the Cuckoo’s Nest. After the director of the food service program saw me act in the play, she encouraged me to go back into regular studies and join the speech team. The next year, I was state champion in Duet Acting and fifth in the nation for Prose/Poetry…and I knew performing was my destiny.
What class assignment exemplifies your approach to teaching and mentoring?
Adults learn by doing. So when I teach the communication process model, my students act out the different components of the model. It’s an approach that’s based on collaboration and student-centered learning.
What’s the most important thing you impart to students to help them succeed in class and the real world?
I always have students set goals for their learning experience. Setting goals is critical, in and out of the classroom, to help you get and stay motivated.
Read More..."Attitude is the aroma of the soul."
Read MoreIs there a class assignment that exemplifies your approach to teaching and mentoring? Similarly, how does your approach inspire each student to push themselves beyond their own perceived limits?
I interview each student about their art and aspirations. Then I assign them a Power Point and oral presentation about one career in Biology. The students come to see that Biology is a huge and diverse area of scientific endeavor and that biologists, as artists, are very passionate and devoted to their fields.
What role does collaboration contribute to students' success, especially when students from other programs contribute to the same project?"The most critical advice I give to students is to never accept things at face value."
Read MoreI have come to find a home at The Art Institute of San Antonio. I thought it was going to be a challenge to teach the discipline of Sociology in a creative environment but I come to find that it blends very well in the creative environment of Ai San Antonio. If I can point to a defining moment, it would be when my first term teaching, on the last day of class, some of my students’ final words to me were, “This is the BEST class I have ever taken.” “I learned A LOT.” “You are the BEST instructor I’ve EVER had.” “I didn’t think I was going to make a connection with sociology and ________” (insert graphic design, game art design, interior design, fashion management, culinary, etc.). The impact that I have had on students has been far reaching and rewarding at the same time.
If I can point to one particular assignment in my course, it would be the paper and presentation. The paper involves them choosing a current social problem in our society today and they have to incorporate a chapter from the textbook, along with other sources online and research. This allows them to synthesize everything we’ve discussed in class and apply it in some way in the analysis that goes into their paper. THEN, they also have to present their paper to the class as well. Those who are writing challenged are challenged to really focus their thoughts unto paper. Those who are presentation shy are challenged to come out of their shells. These are two skills that students must master before they get out there in real world. They have to be able to effectively present their thoughts in writing AND they have to be able to express those thoughts to other people. I simply use the perspective sociology gives students to help them accomplish this.
I often say, no matter your major: graphic design, game art design, interior design, fashion management, culinary, etc.; you will be dealing with people, as customers, as clients and the like. Sociology as a discipline helps you do this. Understanding the groups people inhabit and the effect groups have on people as individuals gives students, who are future creative professionals an edge no one else has. The most critical advice I give to students is to never accept things at face value. That, the real challenge lies in seeking the real reasons why things happen, why people act the way they do. This is critical because we live in a world now where things are just accepted as truth, because it’s on a website, or someone important said it.
Is there anything else you'd like us to know about you, your experience, or your role as a faculty member at The Art Institutes?
I do what I do because of education. Education is many things. Education is empowerment. Education is liberty and liberation. It is a driving force that fuels the future; that enables people to carry on even when the odds, the challenges the barriers seem insurmountable. I am living proof of this. I am proud to say, I am from the westside of San Antonio, born and raised. I come from humble beginnings where sacrifice for education was the mantra; was the mission statement; was the vision. Education above all else was something my migrant worker grandparents and parents instilled in me from the beginning, for two simple reasons. That is the only way you can be truly free, and it is, “the only thing that they can’t take away from you”, as my mother would say.
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